Premise: A charismatic New York City jeweler always on the lookout for the next big score, makes a series of high-stakes bets that could lead to the windfall of a lifetime. Howard must perform a precarious high-wire act, balancing business, family, and encroaching adversaries on all sides, in his relentless pursuit of the ultimate win.
Meet Howard Ratner. He’s Jewish, in his 40s, married with three kids but is in the midst of divorcing his wife. He runs a successful* jewelry business to the stars in Manhattan, and has what can laconically be described as a gambling addiction. Almost everyone is tired of Howard’s shtick as soon as they come into contact with him, including his wife and daughter. The only people he has genuine connections with are his teenage son and his girlfriend Julia (Julia Fox, a breakout star in the making). Physiologically speaking, he has to sleep at some point, but there is no evidence to suggest he does. His mind is constantly racing, moving from one deal to the next, trying to get ahead and hit the jackpot. He’s a machete juggler where all of the machetes are on fire, and he’s prone to dropping them a little too frequently. Continue reading →
Merry Christmas! In this episode, Kyrsten and I review Tom Hooper’s abysmal adaptation of Cats in a non-spoiler review. Then we cover Bong Joon-ho’s incredible Parasite in a full review. We also discuss Mike Birbiglia’s 2016 film Don’t Think Twice and have our usual nonsense.
Premise: The surviving Resistance faces the First Order once more in the final chapter of the Skywalker saga.
In The Last Jedi, Kylo Ren tells Rey “Let the past die. Kill it, if you have to.” The line, along with many other plot developments, was read as director Rian Johnson’s overt message to fans to let go of any preconceived notions of what a Star Wars movie should be. It was a bold move, considering fans have done nothing but look to the original films, hoping to reclaim the glory and joy that they felt when Star Wars was at its peak. Continue reading →
In this week’s episode, Evan Dossey from MidwestFilmJournal.com and the IFJA joins me to talk about the Indiana Film Journalists Association award winners for 2019. We also touch on Star Wars: The Rise of Skywalker, my disconnect with the franchise, and its connection to The Last Jedi.
Premise: A tribe of cats called the Jellicles must decide yearly which one will ascend to the Heaviside Layer and come back to a new Jellicle life.
When the trailer for Cats was released earlier this year, it became ensnared in a viral bloodbath of ridicule on social media. Of course, it’s a film adaptation of an Andrew Lloyd Webber musical about cats holding a talent show to gain entry into cat heaven in a seemingly deserted city. It stands to reason that any version of it would look bizarre and invite ridicule. However, being a cat owner myself, I felt obligated to give Cats a whirl.
Earlier this year I was accepted into the Indiana Film Journalists Association. It has given me an opportunity to see more movies, take part in lively discussions within the group, and inspired me to stretch my film criticism more than usual. Most notably, I’ve been writing more reviews for the website this year than usual.
At the end of each year, the IFJA meets to hash out the award winners in various categories. We met Saturday and spent several hours discussing films and selecting winners. It was my first year as a voting member of the group and I am very pleased with what we awarded and the films and talented individuals we recognized.
Below you’ll find the press release with all the winners and runner-ups. This has been a strong year for movies and I am already looking forward to next year with the IFJA. Continue reading →
In this week’s episode, we welcome back our friend and OV contributor Ben Sears to help Tiny and I with double Adam Driver review of Amazon Studios’ The Report and Netflix’s Marriage Story. We also lightly touch on the Golden Globe nominations and the trailer for Ghostbusters: Afterlife. Then, in Potpourri, we talk about Little Women, Netflix’s Unbelievable, Dickinson, Servant, and Truth Be Told.
Premise: A rebellious stoner named Moondog lives life by his own rules.
The Beach Bum is my second outing with a Harmony Korine film after watching Spring Breakers on a whim back in January. Even though I didn’t like Spring Breakers, I enjoyed the abstract editing and overall strange and indistinct tone of that movie. It was as though Korine was making a statement about debauchery and youth in revolt flirting with crime. Continue reading →
Everything about this movie feels phoned in. Sinbad is fun but it really feels like large swathes of the script is just "have Sinbad improv exasperation" instead of trying anything interesting. Every narrative beat is painfully obvious, even for a kid-friendly Disney movie.
Freaks owes a big debt to Firestarter but it's at least more original outside of its homage than Stranger Things was/is (and I like Stranger Things a lot).Very wise to deliver the world building through the perspective of Chloe. Good storytelling and impressive effects work.
Very cool low budget atmosphere piece. It's all tone and mood and it's done to good effect. Set design, cinematography, locations, makeup and costuming all work together to make some really striking visuals.
Thorough documentary that shares the African American perspective on the horror genre and charts the involvement of African Americans in the genre itself. Excellent panel for the talking heads. The documentary covers its subject from a place of love and handles it with the necessary care and importance.Enjoyed it.
Blown away by Jim Cummings' performance. The nuances to the character and the raw grief and emotional crisis of the story is so well-realized that I'm nearly at a loss for words. This is a movie that lives in a state of chaotic empathy and brings you into its world in such an immersive way that it's almost overwhelming.Spectacular movie.