Premise: Behind Vatican walls, the conservative Pope Benedict and the liberal future Pope Francis must find common ground to forge a new path for the Catholic Church.
When you have an event in the Catholic Church that hasn’t occurred in around 700 years, it’s almost inevitable for a film depiction of that event. In the case of The Two Popes, that event was the abdication of the papacy by Pope Benedict XVI in 2013 and the ascension of Pope Francis. Director Fernando Meirelles, with a script from Anthony McCarten, depicts the event as a series of meetings between the Pope (Anthony Hopkins) and then-cardinal Jorge Bergoglio (Jonathan Pryce) as the two debate faith, and the role the church plays in helping its members. The film establishes within minutes, following the death of Pope John Paul II in 2005 and the election of a new Pope by the conclave of cardinals at the Vatican, the differences between the two and what is at stake for the church as a whole: one is all about reform, and one is more conservative. Pope Benedict (then-Cardinal Ratzinger) is the favorite, who is seen actively campaigning after the first vote, whereas Bergoglio is more reluctant and even seems relieved when he is not elected. Fast forward seven years and Bergoglio considers retirement when he is called to Rome. The bulk of the film takes place at the pope’s summer home in the Italian countryside where Bergoglio attempts to persuade Benedict to accept his resignation, and Benedict stalls, hoping that he will stay. The film is stripped of some of its drama because we already know the end result, but Meirelles uses these scenes to emphasize the differences between the two men; whereas Bergoglio sees himself as a servant of the people (a core teaching of the Jesuit sect to which he belongs), Benedict believes the church is a beacon on a hill, helping to steer people in the right direction while remaining at arms’ length. “Change is compromise”, Benedict states early in their meeting. Continue reading