Matt Hurt's Columns 0

Movie Review: Scream (2022)

It’s been two and a half decades since Scream (1996) revitalized the slasher genre and changed the game for mainstream horror with a clever, meta script from Kevin Williamson brought to life by Wes Craven’s masterful direction. Scream ’96 was as much a twisted love letter to the horror genre as it was a slasher in its own right. And it garnered three sequels of varying (though all solid) quality. Now, the directing team behind 2019’s Ready or Not, Radio Silence (Matt Bettinelli-Olpin and Tyler Gillett), have brought the Scream franchise back with Scream (2022), an endlessly clever and violent “re-quel” that honors Wes Craven’s legacy and shows reverence for the franchise he created with writer Kevin Williamson.

Matt Hurt's Columns 0

Movie Review: See for Me (2022)

See for Me is a home invasion thriller with a unique spin. The lead character is blind and relies on a service app called See for Me, where an operator guides the user through their phone’s camera. It’s a fine enough hook for the film to start with but See for Me quickly shoves the concept aside for a more formulaic thriller. Sadly, what could have been an interesting entry in a tired subgenre turns into a dull limp to its expected finish line.

Matt Hurt's Columns 0

Movie Review: The Matrix Resurrections (2021)

Eighteen years have passed since the Wachowskis concluded The Matrix trilogy and were met with varying degrees of disdain and disappointment from the fan base. Now, Lana Wachowski (sans sister Lilly) has brought audiences back into the Matrix with The Matrix Resurrections. With this installment, Wachowski reintroduces us to Neo and Trinity and some familiar (and not so familiar) faces as they find themselves once again at the whim of machine overlords who’ve imprisoned humanity in a simulated world.

IFJA 0

IFJA Awards 2021: “Mass” and “Drive My Car” Big Winners for This Year’s Awards

The Indiana Film Journalists Association has named “Mass,” an intimate and harrowing drama about two sets of parents facing off over a shared tragedy, as Best Film of the Year. It won four awards total, including Best Original Screenplay for Fran Kranz, the first-time writer/director who also was named Breakout of the Year, and Best Ensemble Acting for the cast of Reed Birney, Ann Dowd, Jason Isaacs and Martha Plimpton.

Extended Potpourri 0

The Obsessive Viewer Podcast – Ep 359 – Extended Potpourri – IFJA Nominations, The Tragedy of Macbeth, American Crime Story: Impeachment, The Green Knight, When They See Us, West Side Story, and Nightmare Alley

In this episode, Tiny and I discuss the IFJA nominations and the news of a Villeneuve adaptation of Rendezvous with Rama before diving into some Extended Potpourri! We then round out the episode with special post-screening recordings discussing West Side Story and Nightmare Alley.

Matt Hurt's Columns 0

Movie Review: Eternals (2021)

Though it should be commendable and refreshing anytime new players are introduced to the MCU, the storytelling issues within Eternals (and the greater MCU formula itself) are oftentimes not enough to delay the inevitable. The truth is, Phase 4 of the Marvel Cinematic Universe has brought with it an undeniable sense of franchise fatigue.

Matt Hurt's Columns 0

Movie Review: Dune (2021)

Frank Herbert’s Dune is a highly respected work of science fiction that’s influenced storytellers for decades. The novel tells the story of Paul Atreidis, a young man who has visions of his destiny while his present is rife with conflict and danger as his House arrives at the nearly inhospitable planet Arakkis so they can assume control over the planet’s Spice (a hallucinogenic substance needed for interstellar travel) production for the Empire.