In this episode, Tiny, Ben, and I review Shiva Baby and Godzilla vs Kong. We also discuss the big Knives Out sequel news and round out the episode with a potpourri section in which we talk about The Father, The Little Things, and Superstore.
Premise: Zack Snyder’s definitive director’s cut of Justice League. Determined to ensure Superman’s ultimate sacrifice was not in vain, Bruce Wayne aligns forces with Diana Prince with plans to recruit a team of metahumans to protect the world from an approaching threat of catastrophic proportions.
The internet can, on very rare occasions, be used as a force for good in the world. In 2017, Disney pulled the insufferable short film Olaf’s Frozen Adventure from Coco’s screenings after audiences voiced their overwhelmingly negative reactions. In 2019, Paramount re-tooled Sonic the Hedgehog after fans recoiled in horror at the reveal of the titular character’s look. And now, 4 years after its initial release, Warner Bros. has caved to its fans and released the long-fabled “Snyder cut” of Justice League.
Premise: Bill O’Neal infiltrates the Black Panther Party per FBI Agent Mitchell and J. Edgar Hoover. As Party Chairman Fred Hampton ascends, falling for a fellow revolutionary en route, a battle wages for O’Neal’s soul
I couldn’t help but think of Kurt Vonnegut’s famous quote from his 1962 novel “Mother Night” while watching Judas and the Black Messiah: “We are what we pretend to be, so we must be careful about what we pretend to be.” Vonnegut’s protagonist secretly worked to undermine the Nazis while still wearing the uniform, but was publicly and privately chastised for the rest of his life because of it. The novel, along with director Shaka King’s newest film Judas and the Black Messiah, brings to light an interesting moral conundrum: will we ultimately be remembered for our contributions to a cause, or our best intentions that we keep under the surface?
Premise: Two teens who live the same day repeatedly, enabling them to create the titular map.
Filmmakers tend to take on projects in familiar genres for one of two reasons: One could be to explore a previously untapped or underutilized element of the genre. The other could be to put their own personal spin on the material. Martin Scorcese explored the long-lasting effects of the typically short-lived life of crime in The Irishman. Ryan Coogler imprinted the Black experience on Black Panther. Even last year, the time-loop genre went through a reinvention of sorts with Palm Springs. I’m not saying that the release of The Map of Tiny Perfect Things is hindered by its proximity to Palm Springs; rather, it’s that it has hardly anything new to say, in a genre with fairly limited breathing room to begin with.
In this episode, Ben and I share our thoughts on the 2021 Golden Globe nominations and chat with Dean Kapsalis, whose cerebral character-driven psychological thriller The Swerve is currently available to stream on Amazon Prime Video.
Premise: An ex-convict strikes up a friendship with a boy from a troubled home.
Many elements of AppleTV+’s Palmer will probably seem familiar to many of its viewers, but the film still does offer some redeeming qualities. Fortunately, director Fisher Stevens imbues the film with enough heart, and fills the cast with capable actors from top to bottom, to get past any glaring issues. Stevens, primarily a documentarian behind the lens, makes the film feel like a real place, populated with real people, rather than mouthpieces trying to get an agenda across. Too often we take for granted that aspect of movie-making, and here it’s one more feather in Palmer‘s cap.
In this episode, Ben and I continue our journey through Roger Ebert’s Great Movies list with reviews of Akira Kurosawa’s Yojimbo (1961) and Jean-Pierre Melville’s Le Samourai (1967). We also discuss Tenet, Dazed and Confused, the latest news regarding Master of None season 3, and more.
2020 is finally over and we’re here with The Obsessive Viewer’s 2020 Year in Review episode! It’s our annual episode where Tiny, Mike, and myself share our movie viewing stats for the year and our top ten favorite movies lists. So join us as we bid adieu to the shit storm that was 2020 and hope for a better 2021.
Premise: A father and daughter are on their way to dance camp when they spot the girl’s best friend on the side of the road. When they stop to offer the friend a ride, their good intentions soon result in terrible consequences.
Welcome to the Blumhouse. Based on a 2015 German film, Canadian thriller The Lie begins with Kayla (Joey King) killing her best friend Britney en route to a ballet retreat. Kayla’s father Jay (Peter Sarsgaard) decides to help cover up the crime and soon thereafter Kayla’s mother (and Jay’s ex-wife) Rebecca (Mireille Enos) is brought into the fold. Together the estranged family must protect Kayla from the authorities and Britney’s father (Cas Anvar), whose mounting frustration with the lack of answers as to the whereabouts of Britney becomes more and more threatening. Continue reading →
The visual effects and destruction/battle sequences were really fantastic and looked incredible. Suffers from too many under developed human subplots and eye rolling logic I couldn't quite suspend my disbelief for. Still quite a bit of fun.Podcast review on The Obsessive Viewer will come out probably tomorrow.
Rewatched to record a commentary track for my Patreon.I was pretty forgiving of this movie the first time I saw it. While I still respect some of the visuals and jumps into surreal visions, as an overall movie, it just didn't really hold up that well.I love the concept (and dig the novella as well), but the movie takes this confused "lost in supern […]
First time seeing it since it was in theaters. I appreciate it a bit more this time. It's jaw droppingly gorgeous at times and the monster fighting it really cool. Surprisingly, in a movie with so much darkness, it doesn't feel like it's using dim lighting to skimp on visual effects. Instead, it uses it to conceal and put some cool lighting ef […]