In this episode, Mike and I catch up and share stories about returning to the theater post vaccine, as well as our thoughts on Nomadland, and Together Together. We also discuss trailers for Spiral: From the Book of Saw, The Conjuring: The Devil Made Me Do It, and Venom: Let There Be Carnage.
In this episode, Ben, Tiny, and I continue our series reviewing the films from Roger Ebert’s Great Movies list. In this edition, we cover Charlie Chaplin’s The Circus, John Ford’s The Searchers, and Stanley Kubrick’s Paths of Glory.
In this “parking lot special” bonus episode, Tiny and I record our immediate thoughts on the new Mortal Kombat movie moments after seeing it together in the theater after a stretch of 491 days of not seeing a movie in the theater together.
In this episode, Tiny, Ben, and I review Q: Into the Storm. We also discuss the new Shang-Chi trailer, my return to the movie theater, and round out the episode with a potpourri section in which we talk about Voyagers, Promising Young Woman, Infinite Train, and Invincible.
In this episode, Tiny, Ben, and I review Shiva Baby and Godzilla vs Kong. We also discuss the big Knives Out sequel news and round out the episode with a potpourri section in which we talk about The Father, The Little Things, and Superstore.
In this episode, Ben and I share our thoughts on the 2021 Golden Globe nominations and chat with Dean Kapsalis, whose cerebral character-driven psychological thriller The Swerve is currently available to stream on Amazon Prime Video.
In this episode, Ben and I continue our journey through Roger Ebert’s Great Movies list with reviews of Akira Kurosawa’s Yojimbo (1961) and Jean-Pierre Melville’s Le Samourai (1967). We also discuss Tenet, Dazed and Confused, the latest news regarding Master of None season 3, and more.
2020 is finally over and we’re here with The Obsessive Viewer’s 2020 Year in Review episode! It’s our annual episode where Tiny, Mike, and myself share our movie viewing stats for the year and our top ten favorite movies lists. So join us as we bid adieu to the shit storm that was 2020 and hope for a better 2021.
Premise: A father and daughter are on their way to dance camp when they spot the girl’s best friend on the side of the road. When they stop to offer the friend a ride, their good intentions soon result in terrible consequences.
Welcome to the Blumhouse. Based on a 2015 German film, Canadian thriller The Lie begins with Kayla (Joey King) killing her best friend Britney en route to a ballet retreat. Kayla’s father Jay (Peter Sarsgaard) decides to help cover up the crime and soon thereafter Kayla’s mother (and Jay’s ex-wife) Rebecca (Mireille Enos) is brought into the fold. Together the estranged family must protect Kayla from the authorities and Britney’s father (Cas Anvar), whose mounting frustration with the lack of answers as to the whereabouts of Britney becomes more and more threatening. Continue reading →
Premise: This post-apocalyptic tale follows Augustine, a lonely scientist in the Arctic, as he races to stop Sully and her fellow astronauts from returning home to a mysterious global catastrophe.
George Clooney’s latest directorial effort, The Midnight Sky, tells of a world evacuated and a dying man keeping the light on to notify the last remnants of humanity. Unfortunately, what could have been a thought-provoking exploration of regret and isolation ultimately turns into a piecemeal rehash of genre and wilderness survival elements that were done much better in the films from which Clooney draws inspiration. He forsakes exposition in favor of needless ambiguity that leads to a payoff lacking the emotional resonance the film desperately needs. What’s left is a hollow and joyless expedition into the last days of Earth that’s devoid of any real intrigue. Continue reading →
Review to come on ObsessiveViewer.com. This delivered on the type of cool zombie violence that I really love from the genre. It's nice to see Snyder shed some of his more annoying habits (like the ultra dark composition and unnecessary slow motion in his DCEU movies) in favor of something a bit more vibrant.But the characters leave quite a bit to be des […]
There's some good coming of age stuff in this with a very "Dazed and Confused" feel to it, which I liked. But I didn't find the characters terribly compelling and a lot of the plot threads are left either unresolved or suddenly resolved with little context.