Matt Hurt's Columns
Throughout his tumultuous career, M. Night Shyamalan has been singularly focused on trying to surprise audiences. What’s most surprising about his latest film however, is just how little has changed in his bag of tricks. Old has all the hallmarks of Shyamalan’s storytelling style. There’s a preponderance of silly, inauthentic dialogue, tons of on the nose exposition, awkward comic relief that rarely lands as intended, and what seems like an active hatred for ambiguity. Yet, for all of Old’s silliness and lack of depth, it does provide a decent amount of suspense and is home to one really interesting concept.