Christopher Nolan’s Oppenheimer is an intense meditation on the impact of J. Robert Oppenheimer’s work on the Manhattan Project and the immense weight he carried following the bombings of Hiroshima and Nagasaki. The film naturally incorporates several tried and true trademarks of Nolan’s filmmaking toolkit such as a nonlinear structure, practical effects, IMAX film, and an absorbing sound design. With Oppenheimer, these staples of Nolan’s filmography yield some of the most visceral images he has ever put to film in a movie that is jaw dropping in its profound look at the burden cast upon the man who created the atomic bomb.

In Thaddeus O’Sullivan’s The Miracle Club, four women from a small community in Ireland make a pilgrimage to Lourdes, each in search of their own miraculous spiritual and physical cure. While on their trip, they gain much needed perspective while also hashing out their differences and confronting longstanding grudges among themselves.

Guardians of the Galaxy Vol. 3 is not only a near perfect culmination to the MCU’s most heartfelt group of characters. It’s also the best Marvel movie since 2019’s Endgame (with Spider-Man: No Way Home being a very close second). The heart and emotion on display in this film will stick with audiences for a while and will likely leave many weeping in the theater.

Despite a couple choices that don’t particularly gel with the overall franchise, the majority of Scream VI works well to deliver the fun slasher frights for which the franchise is known. Though it’s not the franchise love letter that Scream ’22 was, Radio Silence is still breaking new ground in one of the genre’s most beloved and entertaining franchises.