One of the best movies of the year, which never forgets to put the characters’ difficult emotions first.
The rare independent animated film that wears its influences on its sleeves.
A beautiful film that avoids easy narrative answers in exchange for emotional honesty about the creative process.
An interview with writer/director Anna Baumgarten on her debut feature.
Season two comes to an end, with hope for the future but frustration for the present.
Introduces new conflicts for the finale, and brings long-simmering conflicts from throughout the season to a head.
The show returns after last week’s divergence with some mostly positive character drama
A weird Scorsese riff comes out of nowhere after the emotional highs of last week’s episode.
A mostly conventional biopic that seeks to redeem its main subject, featuring one of the year’s best performances.
Ted Lasso’s longest episode yet may also be its best.
While the film invites direct comparisons to Sound of Metal, Mogul Mowgli has different ambitions on its mind.
“Headspace” doesn’t introduce new conflicts; rather, they feel like natural extensions of what the show has been building towards throughout the season.
A dynamic central performance and a solid directorial effort makes Anne at 13,000 Ft. a film that’s not to be missed.
If anything, “The Signal” shows that Ted Lasso can handle dramatic turns as well as it can the comedic moments.
Season two juggles new plot developments and ignores newer ones, to mixed results.