Premise: Hal, wayward prince and heir to the English throne, is crowned King Henry V after his tyrannical father dies. Now the young king must navigate palace politics, the war his father left behind, and the emotional strings of his past life.
The King may not be the longest, the most plot-heavy, or even the most complicated movie of 2019, but it may be the most tedious to get through. Here’s a fun parlor game you can play with your friends: gather everyone together and turn on The King. The first person to either nod off or check his or her phone loses. Best of luck to you, because I would have failed this challenge within the first 30 minutes. Continue reading →
Premise: The hypnotic and hallucinatory tale of two lighthouse keepers on a remote and mysterious New England island in the 1890s.
“Why did ye chase me up and down this rock with that axe?” Willem Dafoe’s Thomas Wake asks of Robert Pattinson’s Ephraim Winslow (or is it Thomas Howard?) late in The Lighthouse, the newest from director Robert Eggers, after his breakout success of The Witch. The question, on its face, isn’t all that significant. What makes it stand out – and emblematic of the entire film – is that, just minutes earlier, we see the exact opposite happening with Dafoe madly chasing Pattinson. Is Dafoe messing with Pattinson? Was it a drunken hallucination? Is Dafoe the crazy one, or is Pattinson (or both)? Throughout The Lighthouse, Eggers has the audience constantly question what he just showed us, as his characters descend deeper and deeper into madness. Continue reading →
Premise: Eddie Murphy portrays real-life legend Rudy Ray Moore, a comedy and rap pioneer who proved naysayers wrong when his hilarious, obscene, kung-fu fighting alter ego, Dolemite, became a 1970s Blaxploitation phenomenon. Continue reading →
Premise: In this dramedy based on the Mossack Fonseca scandal, a cast of characters investigate an insurance fraud, chasing leads to a pair of a flamboyant Panama City law partners exploiting the world’s financial system. Continue reading →
Premise: A sequel, of sorts, to Breaking Bad following Jesse Pinkman after the events captured in the finale of Breaking Bad. Jesse is now on the run, as a massive police manhunt for him is in operation.
Premise: Football and feminism collide in this documentary that follows former NFL cheerleaders battling the league to end wage theft and illegal employment practices that have persisted for 50 years.Continue reading →
Premise: A young man searches for home in the changing city that seems to have left him behind.
A young black girl stares up at a man in a hazmat suit while a street preacher rants and raves about the contaminated water poisoning the residents. This is the introduction we get to Jimmie (Jimmie Fails) and Monty’s (Jonathan Majors) version of San Francisco in “The Last Black Man in San Francisco”; far from the trolleys, five-star restaurants and tech headquarters of the city. The Golden Gate Bridge is off in the distance, but it’s far enough away that you may forget that it exists. Reality is certainly heightened here, but not so much to seem unbelievable. The film is loosely based on the true-life story of Jimmie Fails, who shares a story credit with first-time director and his childhood friend, Joe Talbot. Jimmie and Monty- both young, under-employed black men with dreams of bigger and better things- share a crowded bedroom in Monty’s blind grandfather’s house on the outskirts of the city. At night, when Jimmie isn’t working at a nursing home, the three watch old movies as Monty lovingly describes the action. On occasion, the two skate into the city to look after and fix up an old Victorian home in the Mission district that’s currently owned by an elderly white couple. Why is Jimmie so immersed in the upkeep of the home? He explains early on (to a Segway tour full of white people, of course) that the house was designed and built by his grandfather with his own two hands after World War II. Soon, the couple moves out and the home is abandoned, so Jimmie and Monty take over and renovate as they believe it should be, preserving as many details as Jimmie’s grandfather intended.
Premise: The film follows 16-year-old Austyn Tester, a rising star in the live-broadcast ecosystem who built his following on wide-eyed optimism and teen girl lust, as he tries to escape a dead-end life in rural Tennessee.
What is the American dream, if not to get rich and famous? In 2019, the quickest and easiest way to get rich and famous is to make it big on social media. Such is the subject of Liza Mandelup’s newest documentary, “Jawline”. The film splits its time focusing on two groups of influencers at various stages of success. First there’s Austyn Tester, a 16-year old high school dropout from rural Tennessee who wants to use his good looks, sunny disposition, and rabid online fan-base to “get famous, so then I can change the world.” The second half goes to a group of interchangeable teen boys (we’re never given their ages, but at best, they’re fresh out of high school) living together in an LA home under the iron fist of their manager Michael Weist. Theirs is a tightly regulated lifestyle where any time not spent posting, tweeting, live-streaming, etc. any branded content is met with Michael’s scorn. At one point, an argument ensues about whether or not to open a video with “hey guys”, lest they alienate their non-female fans. Even though it’s not as well done as the Tennessee portions, the LA half of the film mostly serves as a distant warning to Austyn: this is the fate that awaits the rich and famous in 2019. Thankfully, the amount of time spent between the two is more heavily weighted to Austyn and his struggles.
Hadn't seen this in many years. Obviously holds up spectacularly well and is absolutely one of my favorite movies of all time.Funny story, though. A week and a half ago I saw a local production of Hamlet for the first time. Then, today, while watching The Lion King, I remembered it was pretty much a retelling of a Shakespeare play. I, someone who just s […]
Jennifer Kent's follow up to her highly acclaimed (and rightfully so) horror movie, The Babadook, is a daring revenge tale set against the backdrop of 1825 Tasmanian Wilderness.At times, The Nightingale is very hard to watch as it has numerous rape sequences and graphic violence throughout. It's not gratuitous but it's still hard to watch.Aisl […]
El Camino is a surprisingly excellent coda to the Breaking Bad story and strong conclusion to Jesse Pinkman's character arc. At times it gets a little close to being too much of a stroll down memory lane rather than its own story. But Aaron Paul's performance is as incredible as expected.It's also such a treat to see Jesse Plemmons return to t […]
With the release of Doctor Sleep, Mike Flanagan continues to carve a niche for himself as a filmmaker who’s unafraid to adapt the more difficult of Stephen King’s work.Read my full review in a guest post over at Hypable.com.Doctor Sleep had more references to The Dark Tower than The Dark Tower movie did! 😂