Premise: A legendary American war veteran is recruited to hunt a mythical creature.
I was pleasantly surprised by The Man Who Killed Hitler and Then the Bigfoot. I haven’t seen the trailer but the title, premise, and poster all feel like the movie is supposed to be a cheesy, ultra-violent genre movie. What the movie actually is is far from that. Instead, The Man Who Killed Hitler and Then the Bigfoot is a melancholic study of a man who has closed himself off from the world as he deals with what he did in the war. Continue reading →
Premise: Harry Crumb is a bumbling and inept private investigator who is hired to solve the kidnapping of a young heiress which he’s not expected to solve because his employer is the mastermind behind the kidnapping.
I grew up watching and enjoying a lot of John Candy’s work. Uncle Buck, Brewster’s Millions, The Great Outdoors, and Cool Runnings were all on heavy rotation in my house growing up. Who’s Harry Crumb?, however, is a movie I never saw. Now that I’ve seen it, (and although I didn’t necessarily “hate” it) I would have been okay having never seen it. Continue reading →
Premise: Dictator Adenoid Hynkel tries to expand his empire while a poor Jewish barber tries to avoid persecution from Hynkel’s regime.
Immediately after The Great Dictator ended, I rewound the movie and rewatched the five minute speech at the end again. Now, while sitting in the afterglow of my first viewing of the film, I am really hard-pressed to think of any movie moments that are as emotionally affecting, timeless in their relevance, and as intensely powerful as that speech was. I am not being the least bit hyperbolic when I say that with one viewing, I’m confident in saying The Great Dictator is a true masterpiece.
Premise: Laurel and Hardy, the world’s most famous comedy duo, attempt to reignite their film careers as they embark on what becomes their swan song – a grueling theatre tour of post-war Britain.
Stan & Ollie dramatizes the waning days of Laurel & Hardy’s professional relationship with a quiet, almost sedated dignity. Embarking on a lengthy theatre tour in Britain, the aging comedy legends work to reclaim their comedic spotlight and secure funding for a Robin Hood film. This comes at the expense of their physical and mental health while also forcing them to come to terms with their celebrity status. Continue reading →
Premise: Six strangers find themselves in circumstances beyond their control, and must use their wits to survive.
Escape Room was a fairly decent thriller for about 2/3s of its runtime. For the other 3rd, it was pretty rote with underdeveloped characters, derivative set pieces, and an ending that felt like a first draft fever dream.
Premise: Security guard David Dunn uses his supernatural abilities to track Kevin Wendell Crumb, a disturbed man who has twenty-four personalities.
I can’t remember the last time I was so invested in 2/3s of a movie only to find myself struggling so hard to hold my interest in its final act. But such is the life of the audience member of an M. Night Shyamalan movie. As harsh as it may sound, there’s no denying that Shyamalan is one divisive and mercurial filmmaker. The Sixth Sense, Unbreakable, and Signs were all fantastic films in my opinion, and The Village was solid. But we had to suffer through the likes of The Lady in the Water, The Happening, and The Visit before he turned things around with Split in 2017.
Premise: Three girls are kidnapped by a man with a diagnosed 23 distinct personalities. They must try to escape before the apparent emergence of a frightful new 24th.
When I sat down to rewatch Split, the thing I was most curious about was if the surprise ending was what made the movie great in my mind or if it would stand on its own without that shock factor inflating a subpar or mediocre opinion.
Premise: An ordinary man makes an extraordinary discovery when a train accident leaves his fellow passengers dead—and him unscathed. The answer to this mystery could lie with the mysterious Elijah Price, a man who suffers from a disease that renders his bones as fragile as glass.
It may be easy to forget that M. Night Shyamalan’s follow up to his breakout hit The Sixth Sense came at a time when the vast majority of comic book movies were poorly made garbage to sell merchandise. But before Christopher Nolan really changed the game with The Dark Knight Trilogy, Shyamalan made a grounded comic book movie that was, at its heart, a love letter to comic books themselves and the storytelling within that medium. Underappreciated in its own time, Unbreakable went onto attain cult status and still holds up to repeat viewings to this day.
Premise: Follow Alex Honnold as he becomes the first person to ever free solo climb Yosemite’s 3,000ft high El Capitan Wall. With no ropes or safety gear, he completed arguably the greatest feat in rock climbing history.
I went into Free Solo wondering what could possibly possess a person to climb anything without ropes or harnesses. It is a lifestyle that I am so far away from, I simply can’t fathom it. And right off the bat, the documentary addresses this question in the form of an interview that Free Solo‘s subject, Alex Honnold, was in on television. His rationale is that anyone can die at any time, what difference does it make if you’re thousands of feet in the air with only a fingernail’s worth of space keeping you from plummeting?
Premise: A comedic look at the relationship between a wealthy man with quadriplegia and an unemployed man with a criminal record who’s hired to help him.
The Upside is a pretty middle of the road comedy that’s fairly inoffensive, if unimaginative in its execution. It’s a remake of the 2011 French film The Intouchables. It premiered at TIFF in 2017 and finally got a wide theatrical release now in 2019.
In this special episode (recorded live outside a bookstore), Tiny and I review IT with two of our Patreon subscribers Tony Troxell (Indiana Geeking) and Matt Andreko immediately after seeing the movie in the theater as part of our Obsessive Viewer Facebook Group Screening Event! Continue reading →
This week Tiny and I review the new Steven Soderbergh redneck heist movie Logan Lucky. We also discuss the latest Castle Rock casting news, Black Mirror’s teaser trailer, the Netflix show Atypical, and Brooklyn Nine-Nine. Mike also calls in with his mini-review of Annabelle Creation! Continue reading →
In this episode, we review Marvel Studios’ Guardians of the Galaxy Vol 2 after a brief review of The Fate of the Furious. We also discussed a ridiculous Chris Pratt Instagram scandal, The Dark Tower trailer reactions, and the new teaser for the web series Deep Six. For potpourri, we talk about the recent movie Gold, and the new Netflix documentary, The Mars Generation. Continue reading →
In this week’s episode, we review the newly released Netflix/Joe Swanberg Jake Johnson movie, Win it All and then we get into another extended potpourri section. In potpourri, we discuss Jack Reacher: Never Go Back, MST3K: The Return, Flashpoint, Atlas Shrugged, Defiance Comedy’s Spaceship to Nowhere, and much more. Continue reading →
Captain Marvel is a blast. Brie Larson is fantastic and her dry wit and delivery really gives Carol a unique style. I appreciate that the movie didn't lean into the fish out of water humor that the original Thor did. Instead, the fun is directly tied to the plot and mythos of the Kree and Skrull war and the MCU itself. The de-aging CGI has come such a l […]
I loved this documentary. I didn't know the format of the documentary or how it was made going into it. Discovering in the theater that it was a retelling of the Apollo 11 mission completely comprised of footage with no talking heads or narration, was a very pleasant surprise. Seeing the mission play out as it did through actual restored footage in IMAX […]
Enjoyed Alita a lot more than I thought I would. The world building is really solid and the setpieces are very well done and thrilling. There is a ton of expository dialogue that drags the movie down a bit, but it's not too bad.