Premise: A sequel, of sorts, to Breaking Bad following Jesse Pinkman after the events captured in the finale of Breaking Bad. Jesse is now on the run, as a massive police manhunt for him is in operation.
Premise: “Whelm” is a thriller set deep in the Great Depression where two estranged brothers get tangled in a rivalry between a legendary bank robber and an eccentric young criminal. Through a series of bizarre occurrences, they find they are part of a larger historic scheme.
Premise: “Going Attractions” celebrates the splendor and grandeur of the great cinemas of the United States, built when movies were the acme of entertainment and the stories were larger than life, as were the venues designed to show them.
Premise: Football and feminism collide in this documentary that follows former NFL cheerleaders battling the league to end wage theft and illegal employment practices that have persisted for 50 years.Continue reading →
Premise: Drawing upon an immense home video archive, Sasha Joseph Neulinger exposes the family secret which destroyed his world. The camera that followed his footsteps from the day he was born also captured the story of an unraveling childhood, a high-stakes court battle, and a generational reckoning.
Premise: A deliciously twisted comedy set in a demented, timeless suburbia where every adult wears braces on their straight teeth, couples coordinate meticulously pressed outfits, and coveted family members are swapper in more ways than one in this competition for acceptance.
In this episode, Tiny and I review Ad Astra. We also discuss some controversies surrounding Joker, the Shane Gillis/SNL fiasco, Beautiful Boy, Stephanie Wittels-Wachs’ heartbreaking memoir about her brother, Parks & Rec writer Harris Wittels.
In this episode, Fekkes and I review It: Chapter Two. We also debate the merits of single entry franchise storytelling in the era of peak TV/storytelling, Disney+ trailers, Apple TV+, and the “Streaming Wars.”
In this bonus episode, Tiny and I review Rapid Response, a documentary about the origin and evolution of motorsport medical science. It’s an interesting documentary currently in theaters that we both recommend.
Premise: A young man searches for home in the changing city that seems to have left him behind.
A young black girl stares up at a man in a hazmat suit while a street preacher rants and raves about the contaminated water poisoning the residents. This is the introduction we get to Jimmie (Jimmie Fails) and Monty’s (Jonathan Majors) version of San Francisco in “The Last Black Man in San Francisco”; far from the trolleys, five-star restaurants and tech headquarters of the city. The Golden Gate Bridge is off in the distance, but it’s far enough away that you may forget that it exists. Reality is certainly heightened here, but not so much to seem unbelievable. The film is loosely based on the true-life story of Jimmie Fails, who shares a story credit with first-time director and his childhood friend, Joe Talbot. Jimmie and Monty- both young, under-employed black men with dreams of bigger and better things- share a crowded bedroom in Monty’s blind grandfather’s house on the outskirts of the city. At night, when Jimmie isn’t working at a nursing home, the three watch old movies as Monty lovingly describes the action. On occasion, the two skate into the city to look after and fix up an old Victorian home in the Mission district that’s currently owned by an elderly white couple. Why is Jimmie so immersed in the upkeep of the home? He explains early on (to a Segway tour full of white people, of course) that the house was designed and built by his grandfather with his own two hands after World War II. Soon, the couple moves out and the home is abandoned, so Jimmie and Monty take over and renovate as they believe it should be, preserving as many details as Jimmie’s grandfather intended.
In this week’s episode, I welcome Patreon supporter, returning guest, and new contributor Ben Sears back to the podcast. We review Toy Story 4 and A24’s The Farewell. We also talk about several upcoming movies and both of our histories working in movie theaters.
Premise: The film follows 16-year-old Austyn Tester, a rising star in the live-broadcast ecosystem who built his following on wide-eyed optimism and teen girl lust, as he tries to escape a dead-end life in rural Tennessee.
What is the American dream, if not to get rich and famous? In 2019, the quickest and easiest way to get rich and famous is to make it big on social media. Such is the subject of Liza Mandelup’s newest documentary, “Jawline”. The film splits its time focusing on two groups of influencers at various stages of success. First there’s Austyn Tester, a 16-year old high school dropout from rural Tennessee who wants to use his good looks, sunny disposition, and rabid online fan-base to “get famous, so then I can change the world.” The second half goes to a group of interchangeable teen boys (we’re never given their ages, but at best, they’re fresh out of high school) living together in an LA home under the iron fist of their manager Michael Weist. Theirs is a tightly regulated lifestyle where any time not spent posting, tweeting, live-streaming, etc. any branded content is met with Michael’s scorn. At one point, an argument ensues about whether or not to open a video with “hey guys”, lest they alienate their non-female fans. Even though it’s not as well done as the Tennessee portions, the LA half of the film mostly serves as a distant warning to Austyn: this is the fate that awaits the rich and famous in 2019. Thankfully, the amount of time spent between the two is more heavily weighted to Austyn and his struggles.
In this week’s episode, Kyrsten and I record on-location from her apartment to review Scary Stories to Tell in the Dark. Kyrsten also briefly shares her thoughts on Trump: An American Dream and I try to explain one of Stephen King’s most controversial scenes. Then, in a separate recording, Tiny and I discuss Good Boys (non-spoiler), the recent news regarding The Matrix 4, and this week’s news regarding Disney, Sony, and Spider-Man.
Closing out a long first day of Disney+. Really impressed with the service itself.This was my first time seeing Bambi. Admittedly, I was pretty tired but I liked it pretty well. Classic Disney 2D animation is just gorgeous.
Hadn't seen this in many years. Obviously holds up spectacularly well and is absolutely one of my favorite movies of all time.Funny story, though. A week and a half ago I saw a local production of Hamlet for the first time. Then, today, while watching The Lion King, I remembered it was pretty much a retelling of a Shakespeare play. I, someone who just s […]
Jennifer Kent's follow up to her highly acclaimed (and rightfully so) horror movie, The Babadook, is a daring revenge tale set against the backdrop of 1825 Tasmanian Wilderness.At times, The Nightingale is very hard to watch as it has numerous rape sequences and graphic violence throughout. It's not gratuitous but it's still hard to watch.Aisl […]
El Camino is a surprisingly excellent coda to the Breaking Bad story and strong conclusion to Jesse Pinkman's character arc. At times it gets a little close to being too much of a stroll down memory lane rather than its own story. But Aaron Paul's performance is as incredible as expected.It's also such a treat to see Jesse Plemmons return to t […]