Skip to content

Month: June 2020

Matt Hurt's Columns 0

Movie Review: Irresistible (2020)

By transposing a high stakes political arena onto a small town rural America setting, Jon Stewart’s Irresistible takes a relatively low key approach to its ribbing of the world of campaign finance. It is not simply a “fish out of water” story. Nor does it attempt to romanticize the quaint small town it occupies. Instead, Stewart uses this juxtaposition to call attention to the absurdity of campaign fundraising in a fairly unique manner.

Ben Sears 0

The Obsessive Viewer Podcast – Ep 318 – The Vast of Night & The King of Staten Island – Da 5 Bloods, The Wrong Missy, and AMC Theaters’ Reopening Plans – Guest: Ben Sears

This week, our contributor and friend Ben joins me to review the retro sci-fi film, The Vast of Night and the new Judd Apatow film The King of Staten Island. We also talk about drive-in movies and AMC’s plans to reopen. For Potpourri, we discuss the Netflix films Da 5 Bloods and The Wrong Missy.

Matt Hurt's Columns 0

Movie Review: 7500 (2020)

Fans of Joseph Gordon-Levitt won’t be disappointed by this intimate thriller. His commitment to the material, the character, and his craft itself, is on full display in 7500. Despite being methodical in its dialogue and a slower burn narratively than a more conventional fare, 7500 is a solid thriller centering around a strong lead performance.

Ben Sears' Columns 0

Ben’s Column: Bloody Nose, Empty Pockets (2020) Movie Review

There are no talking heads, no title cards (save for the occasional running clock to show the passing of the day), and no opening crawl giving the history of the bar or who these people are. Some stay throughout the entirety of the film, some try to stay and end up drinking too much, and some we only meet halfway through, but each one the Ross brothers feature makes a memorable impression.

Matt Hurt's Columns 0

Movie Review: The Invisible Man Returns (1940) – Universal Classic Monsters 9

The Invisible Man Returns may not be as engaging and thrilling as 1933’s The Invisible Man. But it does have the pedigree of having Vincent Price’s first horror movie performance and what a performance it is. Price enters the shoes of the Invisible Man well and embodies what it means to be this potentially tragic character even if the character beats are a bit muddled on the page.