Premise: A Democratic strategist helps a retired veteran run for mayor in a small, conservative Midwest town.
By transposing a high stakes political arena onto a small town rural America setting, Jon Stewart’s Irresistible takes a relatively low key approach to its ribbing of the world of campaign finance. It is not simply a “fish out of water” story. Nor does it attempt to romanticize the quaint small town it occupies. Instead, Stewart uses this juxtaposition to call attention to the absurdity of campaign fundraising in a fairly unique manner. And although the approach is surprisingly refreshing in this era of fourth wall breaking Adam McKay political and socio-economic commentary films, Irresistible falters a bit on the road to its message.
This week, our contributor and friend Ben joins me to review the retro sci-fi film, The Vast of Night and the new Judd Apatow film The King of Staten Island. We also talk about drive-in movies and AMC’s plans to reopen. For Potpourri, we discuss the Netflix films Da 5 Bloods and The Wrong Missy.
Premise: Four African American vets battle the forces of man and nature when they return to Vietnam seeking the remains of their fallen squad leader and the gold fortune he helped them hide.Continue reading →
Premise: A pilot’s aircraft is hijacked by terrorists.
Patrick Vollrath’s 7500 is a tense and claustrophobic thriller about an airplane hijacking and the pilot’s efforts to keep control and guide the passengers to safety. Taking place almost entirely within the cockpit, 7500 quickly becomes a showcase of Joseph Gordon-Levitt’s ability to command the screen with an intense and introspective performance. It is also an exercise in low-budget filmmaking and storytelling that utilizes limited set space.
Premise: The owner of a coal mining operation, falsely imprisoned for fratricide, takes a drug to make him invisible, despite its side effect: gradual madness.
Nine years after Dr. John Griffin’s invisible rampage depicted in 1933’s The Invisible Man, his brother, Dr. Frank Griffin (John Sutton), helps his friend escape the gallows with an experimental drug that turns him invisible. Once Geoffrey Radcliffe (Vincent Price) escapes, he sets off to find the person who murdered his brother while he waits for Frank to develop an antidote for the invisibility. The Invisible Man Returns is noteworthy for the improvements to the visual effects that nine years afforded the production. Continue reading →
Part of my low rating may be due to having just finished re-reading the novella before watching this for the first time. King is very hard to adapt and Apt Pupil makes a solid effort. Some things are streamlined, some dropped entirely. The finished product is just okay, though. I very rarely connected with Brad Renfro's performance. It seems like the ma […]
Solid enough. Its based on King's collection of 5 interconnected stories and I think stripping the book of all but 2 of the stories was probably the right thing to do. However, it loses quite a bit of the collection's deeper meaning and themes in the translation. It's still a solid enough coming of age story and Anton Yelchin gave an amazing p […]