See for Me is a home invasion thriller with a unique spin. The lead character is blind and relies on a service app called See for Me, where an operator guides the user through their phone’s camera. It’s a fine enough hook for the film to start with but See for Me quickly shoves the concept aside for a more formulaic thriller. Sadly, what could have been an interesting entry in a tired subgenre turns into a dull limp to its expected finish line.

Eighteen years have passed since the Wachowskis concluded The Matrix trilogy and were met with varying degrees of disdain and disappointment from the fan base. Now, Lana Wachowski (sans sister Lilly) has brought audiences back into the Matrix with The Matrix Resurrections. With this installment, Wachowski reintroduces us to Neo and Trinity and some familiar (and not so familiar) faces as they find themselves once again at the whim of machine overlords who’ve imprisoned humanity in a simulated world.

Though it should be commendable and refreshing anytime new players are introduced to the MCU, the storytelling issues within Eternals (and the greater MCU formula itself) are oftentimes not enough to delay the inevitable. The truth is, Phase 4 of the Marvel Cinematic Universe has brought with it an undeniable sense of franchise fatigue.

Frank Herbert’s Dune is a highly respected work of science fiction that’s influenced storytellers for decades. The novel tells the story of Paul Atreidis, a young man who has visions of his destiny while his present is rife with conflict and danger as his House arrives at the nearly inhospitable planet Arakkis so they can assume control over the planet’s Spice (a hallucinogenic substance needed for interstellar travel) production for the Empire.