Tag Archives: Ben Sears

HIFF2020: Ben’s Column – Picture Character (2020)

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3.5 stars

Picture Character (2020)

Documentary Feature
Directors: Ian Cheney, Martha Shane
Producers: Ian Cheney, Martha Shane, Jennifer 8. Lee
Executive Producers: Fred Benenson, Peter Friedland
Cast: Rayouf Alhumedhi, Florencia Coelho, Daniela Guini, Carmen Barlow, Francis Mason

Premise: “Picture Character” explores the complex, conflict-prone, and often hilarious world of the creators, lovers, and arbiters of emoji, our world’s newest pictorial language. How do you create a global language on the fly? This film charts the evolution of emojis, and investigates what they may reveal about our increasingly technological world.

It’s hard to imagine modern daily conversations without the ever-present emoji. What emerged after the technological takeover of smartphones as a way to express a wide variety of emotions in a simplistic manner quickly spread outside our phones and became inescapable. Socks, pillows, Happy Meal toys, and bumper stickers are only a sliver of the countless products available that have cashed in on the emoji craze in recent years, with no end in sight. Emojis have largely been viewed as a force for good in the world (we can now order pizza with one simple pizza emoji sent via text message). The “face with tears of joy” emoji was named as Oxford Dictionary’s Word of the Year in 2015. They’ve even withstood the release of The Emoji Movie in 2017.

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HIFF2020: Ben’s Column – The Outside Story (2020)

The Outside Story (2020)

  • Narrative Feature
  • Director: Casimir Nozkowski
  • Screenwriter: Casimir Nozkowski
  • Cast: Brian Tyree Henry, Sonequa Martin Green, Sunita Mani, Olivia Edward, Asia Kate Dillon

Premise: An introverted editor living a vertical life in his 2nd-floor apartment, always on deadline and in a rut. When Charles locks himself out of his building, he’s forced to go horizontal and confront the world he’s been avoiding in search of a way back inside. Continue reading

Ben’s Column: The Boys In The Band (2020) – Review

The Boys In The Band (2020)

Premise: At a birthday party in 1968 New York, a surprise guest and a drunken game leave seven gay friends reckoning with unspoken feelings and buried truths.

The LGBTQ community is at a crossroads in America in 2020. The Supreme Court may have legalized gay marriage years ago, along with a handful of other civil rights victories, but the current administration has been actively working to roll those protections back since day one, all in the name of “religious freedom”. Seen through this lens, it makes perfect sense why now is a good time for a new adaptation of The Boys in the Band, the Tony-winning Broadway show. This iteration, directed by Joe Mantello, even assembles the original cast from the 2018 stage revival, which was notable at the time for its all-out gay cast – a sign of how far society had come since the play’s inception. Continue reading

The Obsessive Viewer Podcast – Ep 326 – Ebert’s Great Movies Part 3: The Cabinet of Dr. Caligari (1920) & 8 1/2 (1963) – Heartland Film Festival 2020 Preview, and Extended Patreon Clip (Feels Good Man & Possessor)

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OV326 – Ebert’s Great Movies Part 3: The Cabinet of Dr. Caligari (1920) & 8 1/2 (1963) – Heartland Film Festival 2020 Preview, and Extended Patreon Clip (Feels Good Man & Possessor)

Recorded September 22, 2020: In the latest installment of our Ebert’s Great Movies Review Series, our newly promoted recurring co-host Ben Sears joins me to discuss the classic horror/German Expressionist film The Cabinet of Dr. Caligari (2020) and the Frederico Fellini film 8 ½ (1963) from Ebert’s “Great Movies” list. We also chat about the upcoming Heartland Film Festival.

This week’s stinger comes from our Patreon-exclusive recording: 092 – OV B-Roll – “Whole Foods Hot Chocolate and Oatmilk” – Class Action Park (2020), Possessor (2020), HIFF2020 Screenings, Ted Lasso, and Hoops – Sept 22, 2020

Runtime: 1:33:29

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Ben’s Column: Dick Johnson Is Dead (2020) – Review

Dick Johnson Is Dead (2020)

Premise: A daughter helps her father prepare for the end of his life.

It’s not often that a film can be simultaneously considered a documentary, a drama, and a comedy, but director Kirsten Johnson somehow manages to achieve that feat with Dick Johnson Is Dead. Movies can be used as a director’s way to put their own personal ideas and experiences out into the world: Truffaut channeled his early adolescence in The 400 Blows; Fellini expressed his struggles with the creative process with 8 ½; and Spike Lee used his experiences with racial injustice for Do the Right Thing. Johnson’s latest is not only a loving tribute to her father, but an examination of the grieving process, even when the aggrieved is still alive. Continue reading

Ben’s Column: Cuties (2020) – Review

Cuties (2020)

Premise: Amy, an 11-year-old girl, joins a group of dancers named “the cuties” at school, and rapidly grows aware of her burgeoning femininity – upsetting her mother and her values in the process.

Perhaps you’ve already heard of Cuties because you saw it advertised on Netflix. Perhaps you heard of it through word of mouth. More likely, you’ve heard of it because of the controversy the film has stirred up which has caused it to be shared on social media and even, yes, Ted Cruz. But to really talk about Cuties is to talk about America’s political discourse in 2020. Continue reading

Ben’s Column: Tenet (2020) – Non-Spoiler Review

Tenet (2020)

Premise: Armed with only one word, Tenet, and fighting for the survival of the entire world, a Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real time.

Tenet feels like the kind of movie Christopher Nolan has been building towards from the beginning of his career – at least on a surface level. It’s easy to spot some of the elements he’s pulling from, elements that have helped to define his aesthetic as a filmmaker: you of course have the incredible mind-bending visuals like in Inception and Interstellar, the action sequences from the Batman trilogy, the third act reveal from The Prestige, the perplexing chronology of events like in Memento and Dunkirk, and the complicated romantic entanglements of The Dark Knight, to name a few. Typically when a filmmaker cribs the best of himself to be put into one film, the result is an unbridled success, but Tenet just can’t make all of its puzzle pieces into an enlightening picture. Continue reading

The Obsessive Viewer Podcast – Ep 323 – Ebert’s Great Movies Part 2: Tokyo Story (1953) & Network (1976) – Indy Film Fest 2020 Preview, Ben’s Happy Valley Essays, and Yes God Yes – Guest: Ben Sears

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OV323 – Ebert’s Great Movies Part 2: Tokyo Story (1953) & Network (1976) – Indy Film Fest 2020 Preview, Ben’s Happy Valley Essays, and Yes God Yes – Guest: Ben Sears

In the latest installment of our Ebert’s Great Movies Review Series, our contributor and friend Ben Sears joins me to discuss the Yasujirō Ozu masterpiece Tokyo Story (1953) and Sidney Lumet’s prescient satire Network (1976) from Ebert’s “Great Movies” list. We also chat about Indy Film Fest, currently underway virtually, Ben’s thoughts on Yes, God, Yes and more.

This week’s stinger comes from our Patreon-exclusive recording: 088 – OV B-Roll – “A Lot of WAP Going On” – Dirty Harry, Project Power, Boys State, Scorsese Film Fest, and Skyline Chili – Aug 12, 2020

Runtime: 1:47:19

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Ben’s Column: Yes, God Yes (2020) Review

Premise: After an innocent AOL chat turns racy, a Catholic teenager in the early 00s discovers masturbating and struggles to suppress her new urges in the face of eternal damnation.

Think back to your early high school days and how sex and sexuality felt ever-present in daily life. Then, if you weren’t already, imagine those same feelings in the setting of a Catholic school, where you’re taught to mostly repress or ignore those feelings. Sex outside of marriage is a sin. So is masturbation. What do you do when your body and society are telling you one thing and the church is telling you another? Oh, and if you go against what they’re teaching, you’ll spend the afterlife in eternal damnation. Continue reading

The Obsessive Viewer Podcast – Ep 319 – Roger Ebert’s Great Movies Part 1: Duck Soup (1933) and After Hours (1985) – The Painter and the Thief, 13 Reasons Why, and Sunshine – Guest: Ben Sears

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OV319 – Roger Ebert’s Great Movies Part 1: Duck Soup (1933) and After Hours (1985) – The Painter and the Thief, 13 Reasons Why, and Sunshine – Guest: Ben Sears

In our inaugural Ebert’s Great Movies Review Series episode, our contributor and friend Ben Sears joins me to discuss the Marx Brothers’ Duck Soup (1933) and Martin Scorsese’s After Hours (1985) from Ebert’s “Great Movies” list. For Potpourri, we discuss the documentary The Painter and the Thief and the first handful of episodes from 13 Reasons Why’s final season.

This week’s stinger comes from our Patreon-exclusive recording: 084 – OV B-Roll – “Money Movers and Channel Selectors” – A Pizza Cameo, School vs Prison, 365 Days of Tom Hanks, Weird School Movies, and Saved by the Bell – July 13, 2020

Runtime: 1:47:14 Continue reading

Ben’s Column: Greyhound (2020) Review

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Greyhound (2020)

Premise: Early in World War II, an inexperienced U.S. Navy captain must lead an Allied convoy being stalked by Nazi U-boat wolfpacks.

Throughout the running time of Greyhound, we learn more about Captain Ernie Krause’s (Tom Hanks) leadership skills, but shockingly little about his life outside the titular naval destroyer. The mission is simple: guide a fleet of Allied supply ships across the vast Atlantic Ocean, and sink as many Nazi U-boats as possible. The fleet remains unprotected from air cover for over 50 hours over the ocean, and this provides the ticking clock conceit to the film. Greyhound bears a striking similarity to last year’s 1917, in that there’s a clear endpoint objective at stake, and the characters we spend the most time with are frustratingly opaque. But whereas 1917 took time to reflect and add at least a little characterization between its video game-like checkpoints, Greyhound only stops and pauses for a scant few moments. Continue reading

Ben’s Column: Homemade Season One Review

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Homemade: Season One (2020)

Premise: Confined at home as a consequence of the COVID-19 outbreak, filmmakers created personal, moving stories that capture our shared experience of life in quarantine. Continue reading

The Obsessive Viewer Podcast – Ep 318 – The Vast of Night & The King of Staten Island – Da 5 Bloods, The Wrong Missy, and AMC Theaters’ Reopening Plans – Guest: Ben Sears

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OV318 – The Vast of Night & The King of Staten Island – Da 5 Bloods, The Wrong Missy, and AMC Theaters’ Reopening Plans – Guest: Ben Sears

This week, our contributor and friend Ben joins me to review the retro sci-fi film, The Vast of Night and the new Judd Apatow film The King of Staten Island. We also talk about drive-in movies and AMC’s plans to reopen. For Potpourri, we discuss the Netflix films Da 5 Bloods and The Wrong Missy.

This week’s stinger comes from our Patreon-exclusive recording: 074 – OV B-Roll – “Matt & Ben’s Three-Way” – Streaming Downloads, HBOMax Offerings, Another Movie and Meal Hypothetical – June 18, 2020

Runtime: 1:55:11 Continue reading

Ben’s Column: Da 5 Bloods (2020) Movie Review

Da 5 Bloods (2020)

Premise: Four African American vets battle the forces of man and nature when they return to Vietnam seeking the remains of their fallen squad leader and the gold fortune he helped them hide. Continue reading

Ben’s Column: Bloody Nose, Empty Pockets (2020) Movie Review

Bloody Nose, Empty Pockets (2020)

Premise: A look at the final moments of a Las Vegas dive bar called ‘The Roaring 20s’.

Sometimes you want to go

Where everybody knows your name,

And they’re always glad you came;

You want to be where you can see,

Our troubles are all the same;

You want to be where everybody knows your name. Continue reading