I’ve kept a detailed outline of how I would adapt Stephen King’s magnum opus, The Dark Tower, since I started reading the second book. Around the time I finished the third book, I started day dreaming about what kind of Dark Tower tattoo I would get. I have no interest in getting a tattoo. But there’s something about this particular Stephen King work that speaks to me on a deeper level than anything else he’s written.
For those unfamiliar with The Dark Tower, it’s a multi-book fantasy/western/horror hybrid about Roland Deschain, the last gunslinger remaining in a world that’s “moved on.” He’s a tortured soul who’s consumed by a quest to reach a mythical “Dark Tower” that stands as the nexus of time and space. It connects all of existence and it’s in danger. Roland must journey to the Tower to save his world and all others.
When I read something, my mind instinctively works out how it would fit on the screen (be it large or small). I’m a purest when it comes to adapting things. Maybe it’s because I enjoy writing and, on a subconscious level, I feel like things need to stay as is when being converted to a different format. Regardless, I often have a clear image of what I want to see in an adaptation.
The Dark Tower is no different. Continue reading