Premise: A legendary American war veteran is recruited to hunt a mythical creature.
I was pleasantly surprised by The Man Who Killed Hitler and Then the Bigfoot. I haven’t seen the trailer but the title, premise, and poster all feel like the movie is supposed to be a cheesy, ultra-violent genre movie. What the movie actually is is far from that. Instead, The Man Who Killed Hitler and Then the Bigfoot is a melancholic study of a man who has closed himself off from the world as he deals with what he did in the war. Continue reading
Escape Room (2019)
Premise: Six strangers find themselves in circumstances beyond their control, and must use their wits to survive.
Escape Room was a fairly decent thriller for about 2/3s of its runtime. For the other 3rd, it was pretty rote with underdeveloped characters, derivative set pieces, and an ending that felt like a first draft fever dream.
Premise: Security guard David Dunn uses his supernatural abilities to track Kevin Wendell Crumb, a disturbed man who has twenty-four personalities.
I can’t remember the last time I was so invested in 2/3s of a movie only to find myself struggling so hard to hold my interest in its final act. But such is the life of the audience member of an M. Night Shyamalan movie. As harsh as it may sound, there’s no denying that Shyamalan is one divisive and mercurial filmmaker. The Sixth Sense, Unbreakable, and Signs were all fantastic films in my opinion, and The Village was solid. But we had to suffer through the likes of The Lady in the Water, The Happening, and The Visit before he turned things around with Split in 2017.
The Upside (2017)
Premise: A comedic look at the relationship between a wealthy man with quadriplegia and an unemployed man with a criminal record who’s hired to help him.
The Upside is a pretty middle of the road comedy that’s fairly inoffensive, if unimaginative in its execution. It’s a remake of the 2011 French film The Intouchables. It premiered at TIFF in 2017 and finally got a wide theatrical release now in 2019.