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OV146 – Star Wars: The Force Awakens (Spoiler-Free and Spoiler Reviews)
This week, like every other podcast on the Internet, Tiny and I share our thoughts on Star Wars: The Force Awakens, We begin with a spoiler-free review and then continue with a spoiler-heavy discussion of the movie at the end of the episode. Music in this episode comes from John Williams’ score for The Force Awakens. Continue reading
We are nearing the end of Shocktober 2013. In the run up to the final week, I realized I have a ton of movies I still want to watch. So, with plenty of unused vacation time to spare, I took Monday and Tuesday off from work. Throughout this mini-vacation I’ve created for myself, I’m going to be watching a ton of Shocktober movies. I’ve set myself a goal of writing up one blog post for each day, similar to Tiny’s Shocktober Musings posts.
Here we have Part I, my “found footage fest.” Found footage movies get a bad rap. Sure, there’s plenty of dreck in the subgenre and it inspires needless sequels that are churned out faster than they can be written. But when the format is handled right, it can be an absolutely terrifying experience that gets under your skin.
Let me know what you think about the found footage genre in the comments below and follow me around the internet with the links below.
Posted in Uncategorized
Tagged Apollo 18, Ariel Schulman, Bargain Buy, Blind Buy, Buy Digitally, Buy it Full Price, Catfish, Chernobyl Diaries, Christopher Landon, Cloverfield, found footage, Godzilla, Henry Joost, horror movie, Indianapolis, Indie Theater, J.J. Abrams, jj abrams, Katie Featherston, Keystone Art, Landmark, Mark Cuban, Micah Sloat, Movie Columns, Netflix, oren peli, paranormal Activity, Paranormal Activity 2, Paranormal Activity 3, Paranormal Activity 4, Poltergeist, scifi, Shocktober, Shocktober 2013, Stream on Netflix, the Blair witch project, VHS, VHS 2
Pilots are interesting beasts in the television world. They’re used to convince a studio to shell out more money for more episodes. In order to do that, a pilot needs to succeed on several more fronts of storytelling than any other single episode. A pilot needs to introduce the major characters of a series in an engaging, often standalone, story that will leave the audience clamoring for more.
Furthermore, a good pilot needs to rely on a strong cast to build a rapport in a short period of time. Writers working on pilots also have to gauge possible long-term onscreen relationships completely blind of actors’ chemistry. Because of these factors, I live by one steadfast television-viewing rule:
Never judge a show by its pilot.
But some series have such strong pilot episodes that you can and should judge them on the pilots. And so, here I have compiled a list of some of my favorite pilot episodes. They aren’t necessarily my favorite shows ever, and they aren’t exactly the best episodes of said shows. These episodes are just the most engaging series-starters that I’ve seen. They also introduce the characters and story arcs in a highly satisfying way.
You can click the episode titles in the list to buy them digitally on Amazon.
So enjoy and be sure to let me know what you think of my choices in the comment section. Don’t forget to follow me on Twitter @ObsessiveViewer and like the blog on Facebook.
Posted in Editorials, Matt Hurt's Columns
Tagged Aaron Paul, Aaron Sorkin, Arrested Development, Boardwalk Empire, Breaking Bad, Bryan Cranston, Carlton Cuse, Community, Damon Lindelof, Dan Harmon, David Simon, Episodes, Frank Darabont, Homicide, J.J. Abrams, Jeff Daniels, jj abrams, Joel McHale, Lists, Lost, Martin Scorsese, Martin Sheen, Mitch Hurwitz, Pilots, Steve Buscemi, Television Columns, Terence Winter, The Newsroom, The Walking Dead, The West Wing, The Wire, Vince Gilligan
Happy June, everyone. Here’s a quick Streaming Saturday recommendation. Super 8 is J.J. Abrams‘ ode to young love and creative passion against the backdrop of a small town’s skirmish with a mysterious monster. Continue reading