Film and TV Reviews and Podcasts
Dracula’s Daughter is a strong follow up to Dracula. Although Bela Lugosi’s performance as the Count drove the original film to iconic status, his absence from this film isn’t felt as heavily as one would expect. Due to a strong story, sharp writing, and careful plotting, Dracula’s Daughter stands on its own while also providing a strong coda to the events of the first film.
Though it underperformed commercially compared to the success of The Wolf Man six years later, the legacy of 1935’s Werewolf of London is indelible even if the film itself is slightly uneven and muddled with too many protagonists.
As with most animated franchises aimed at a younger audience, the sequel is generally used as an opportunity for world building, and director Walt Dohrn literally makes it his primary objective from the opening minutes.
In the midst of a global pandemic and stay at home orders all over the country, I am coping by watching movies and podcasting about them as if they were part of a Film Festival. Here is my coverage of cOVid-19 Film Festival Day 16: Netflix Spotlight (April 2, 2020). For the spotlight review, Tiny calls in to talk about Tiger King with me in a spoiler review.
Clocking in at a tight 91 minutes, Blow the Man Down works as efficiently as a hardened seaman in establishing its bona fides. Still, if you’re anything like me, you’ll wish Krudy and Cole had made a more memorable set of circumstances, or had something new to say about the noir genre.
In the midst of a global pandemic and stay at home orders all over the country, I am coping by watching movies and podcasting about them as if they were part of a Film Festival. Here is my coverage of cOVid-19 Film Festival day 6: Programmed by Mike White. For the spotlight review, Mike calls in to talk about Freaks with me in a mostly non-spoiler review.
Bride of Frankenstein is replete with themes of creation and destruction amidst subtext involving identity politics, nature vs nurture, and a healthy of dose of homosexual undercurrents thrown in for good measure.
The Invisible Man is the mind-blowing journey of a man overcome with the conflicting feelings of the power he has gained and the longing to come back to the one he loves. It’s a mad scientist motif that drives a narrative more and more toward an ending that may not be as redemptive or emotionally satisfying as one might expect. With a powerful lead performance by Claude Rains and spectacular visual effects, The Invisible Man leans into its mad scientist’s descent as it leads to a thrilling conclusion.
Despite having a plot that is heavily borrowed from Dracula, The Mummy showcases Karloff’s strength and range as an actor behind it. The film also features an exotic Egyptian locale and set design that is noticeably different from the Gothic horror of Dracula or the villages of Frankenstein. More importantly, The Mummy has tense atmosphere and a sense of grandeur to its monster that keeps it from simply being a rip-off of Dracula.
COVID-19 is sweeping the nation. So, naturally, I am coping by watching movies and podcasting about them as if they were part of a Film Festival. Here is my coverage of day 4 & 5: Amazon Prime Weekend. For the spotlight review, Tiny calls in to talk about HBO’s Watchmen with me in a non-spoiler and spoiler section.
Frankenstein infuses its monster with a science fiction hue to great effect. The scientific and moral concepts at the heart of Frankenstein help enhance the wonderful characterization and tragedy-laden arc of the film’s titular character and his complicated monster.
COVID-19 is sweeping the nation. So, naturally, I am coping by watching movies and podcasting about them as if they were part of a Film Festival Here is day 1.
1931’s Dracula, the beginning of the Universal Classic Monster films, is a work of stunning beauty and dread from the outset. The detail in the backdrops of the opening scenes is awe-inspiring and lends to an impressive scale and cinematography that has aged extremely well.
Of course, Onward contains all of the Pixar standards: great visuals and a lively color palette, fun character dynamics, comic relief, action set-pieces, and a conclusion that’s designed to make the adults cry. But where it lacks most is the unique messaging that we’ve come to expect from the studio.
This week, frequent guest and OV contributor Ben Sears joins Tiny and me to discuss several topics in an Extended Potpourri episode. Topics include: Devs, Dave, The Outsider, McMillions, The Way Back, Mythic Quest, The Warrant, Fail Safe, and more.
The Obsessive Viewer 