Although The Invisible Man is not without many missteps in its storytelling and attempts (or lack thereof) to be socially relevant, Leigh Whannell has delivered an effective and scary thriller.

Although Onward may not be the best Pixar offering in recent years, it’s led by spectacular voice work from Holland and Pratt. It leaves a memorable impression on audiences with its emotional resolution and will have you yearning for more original content from Pixar.

To All the Boys I’ve Loved Before is a strong teen romance film that doesn’t just pay homage to what’s come before it, but proves it can hold its own in the pantheon of strong teen romance films.

Troop Zero is a sweet, paint by numbers story with some decent performances and a less than stellar script wrapped around a positive message. There’s nothing inherently wrong with Troop Zero. Unfortunately, there is not much that’s memorable about it either.

Blumhouse’s reimagining of 70s & 80s television show Fantasy Island is at best a passable cheese fest depicting beautiful people in peril. At its worst (and, sadly, most frequent), it’s the dull presentation of an uninspired thriller that’s more concerned with revealing its mystery than creating compelling characters.

Aside from a few scant comedy beats and a delightfully over the top performance from Jim Carrey, Sonic the Hedgehog feels like a slapped together adaptation of a video game franchise for which no one seemed to be clamoring.

Color Out of Space is the classic tale of the Gardner family, a meteorite that lands on their property, and the havoc it unleashes. Through wonderfully vibrant visual effects and strong body horror elements, Color Out of Space leaves the viewer with a lot of dread to digest.